TIME TRAVELS WITHOUT A MACHINE

claytoncubitt: ‘Shadycam’ image of a Daniel Firman taxidermy sculpture ’WURSA (À 18 000 KM DE LA TERRE)’ at ‘Superdome’ at the Palais de Tokyo, 2008.
About the exhibition:
“The Superdome is a mythical stadium: built in 1975 in New Orleans (Louisiana), it has hosted numerous Super Bowls (the American football championship’s final), a Rolling Stones concert, Pope John Paul II, the Republican Convention and refugees of Hurricane Katrina. Paradoxical, the Superdome builds a bridge between the greatest entertainment and the greatest anguish. Inspired by its additional and schizophrenic logic, mixing “I can get no satisfaction” AND “Our Father in heaven”, Marc-Olivier Wahler puts forward SUPERDOME: a new session composed of five solo exhibitions balancing between entertainment and desolation, decibels and prayers, high-tech and chaos, as the continuation of a program testing the notion of the elasticity of art which started at the Palais de Tokyo with Five Billion Years.”

claytoncubitt‘Shadycam’ image of a Daniel Firman taxidermy sculpture ’WURSA (À 18 000 KM DE LA TERRE)’ at ‘Superdome’ at the Palais de Tokyo, 2008.

About the exhibition:

The Superdome is a mythical stadium: built in 1975 in New Orleans (Louisiana), it has hosted numerous Super Bowls (the American football championship’s final), a Rolling Stones concert, Pope John Paul II, the Republican Convention and refugees of Hurricane Katrina. Paradoxical, the Superdome builds a bridge between the greatest entertainment and the greatest anguish. Inspired by its additional and schizophrenic logic, mixing “I can get no satisfaction” AND “Our Father in heaven”, Marc-Olivier Wahler puts forward SUPERDOME: a new session composed of five solo exhibitions balancing between entertainment and desolation, decibels and prayers, high-tech and chaos, as the continuation of a program testing the notion of the elasticity of art which started at the Palais de Tokyo with Five Billion Years.”